Surreal worlds with a sense of detachment.
Photographer working with analogue and digital imagery, collage, and object experiments. Black & white, overexposure, grain, tracing paper, tape, glitch. Surreal worlds with a sense of detachment.
- detachment
- surrealism
- error
Works
I build surreal worlds with a sense of detachment — so that ordinary reality looks like a stage set.
I like the feeling that none of it is real. As if someone placed these objects here on purpose, to let a slight discomfort of the moment be observed — a real flash falls on everything and highlights it, producing an unnatural light.
Every act performed on an image is an attempt to show how I see and feel the world — as if all of it has another state while nobody is watching. These details seem to have been left behind after some event.
I work at the intersection of analogue and digital photography, collage, and object experiments. I use overexposure, grain, prints on tracing paper, coloured tape, and sometimes digital distortion. I shoot mostly in black & white.
I like to deform the image — it helps amplify the way I feel this world tactilely. Tape that lets light through and has its own gloss actually has a character of its own.
b&w · overexposure · grain · tracing paper · tape · glitch · layering · destruction · surrealism · texture · silhouette
Inanimate / alive. The things of things.
The aesthetics of objects in cities and in nature — things that have a character of their own and live their own lives, moving from one place to another while nobody is watching. Details that seem to have been left behind after some event.
Open for collaborations, editorial projects, exhibitions, and zines. Write — I answer slowly, but I answer.